The Muslin was cut to length and width, 750mm x 290mm, and I began by printing the individual elements (Mine and Saima’s) out via my EPSON PHOTO STYLUS XP-620, making sure that I followed the specific printer guidelines set by EPSON. The next step involved the meticulous cropping and guillotine the strips and blocks; steps were cut into 2 widths….1.5CM & 0.75CM. The two sizes were able to compliment the blocks and frame the purposeful discrepancies of the design as a whole.
It was extremely important to create a basic structure of pattern, otherwise the overall effect would look odd; each strip and block were juxtaposed to a specific brief.
Once placed in the specific order the strips and blocks were each, one by one, fixed and iron on individually; the three banners taking 8 hours to finish!!! The iron had to be on it’s hottest setting to allow the image transfer to complete successfully.
It was worth it in the end though. You get out what you put in!!
I just needed to wait an hour or so, then I could iron the banners flat before including in the final design.
I was going to embellish the geometric blocks with a satin stitch border, but I just ran out of time. The idea was to create a ‘ladder’ between the black blocks of the base and top; a metaphor for the journey of Hockney between his home and studio in L.A. I had even toyed with the idea of using a black marker to finish this idea, but thought that I would not be happy with the final solution. On this occasion it would be something I would incorporate next time.