FLORAL EVOLUTION

My evolution/progression of trying to bring all my ideas together into one cohesive design collection has been both exciting and extremely stressful. I have had little resistance to constructing new and exciting visuals for my floral designs, but have absolutely hated the digital side…..I still am unable to proficiently translate my ideas into the fantastic world of Photoshop and Illustrator.

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This was done by hand…..and with a lot of patience too!!!!! Lots of printing out an image and manipulating it vertically and horizontally to create a mirror effect. I love the interplay between colour and monotone, but feel the design is a little to graphic. Helen and Sian raised the fact that the floral motifs didn’t sit quite correctly with the stylised rose motifs; floating heads I believe they called it. What could I do to remedy this? Could I permeate the colour outwards into the monotone floral motifs? Would this create a softer and less graphic aesthetic? This is something I will definitely explore.

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Continuing on from my previous design I wanted to create a softer and more fluid description of the greenery of flowers and plants. Believe it or not this design was a mistake!! I was trying to use Brusho to create a pattern from a Vellum Tracing Paper Stencil, which didn’t turn out as successfully as I had hoped. However, ¬†every cloud has a silver lining; a direct transfer of the excess crystal pigment and water from the Vellum Stencil onto paper created the most beautiful pattern, which instantly reminded me of the leaves/greenery of my chosen flowers. Again, I manipulated the design and printed it out flipped horizontally and vertically to create a mirror repeat. I ABSOLUTELY LOVE IT!!! I could imagine seeing this printed on fabric and embellished with a digital stitch replica of my linear observational drawing of a Rose.

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Seeing my Rose drawing made me remember something that Helen had said in one of my PT’s; looking at the linear qualities within my work to see how I could manipulate them to create a range of new surface pattern designs. I thought I could fuse one of my favourite techniques…….COLLAGE…..to create something textural and visually exciting.

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Printed out numerous copies of my Rose drawing, ripping into varying different sizes and adhering to paper with Pritt-Stick. I am so happy with the resulting design idea and think it would look fantastic as a BLENDER design within my collection. Could I manipulate it in photoshop to create it as a new colour? This is another avenue to explore when I finalise my colour palette.

As Paul Klee once said ‘DRAWING IS TAKING A LINE FOR A WALK’. The linear kineticism of this design is intense…..I LOVE IT.

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I wanted to progress my initial design into something more descriptive of a Secondary pattern, so decided to utilise some of my chosen colours within an existing monotone design. Taking inspiration from KAROLINA YORK PRINT STUDIOS I wanted to fuse the hand-drawn element with bold and on trend colour, specifically only choosing to colour the alternate diagonals. Where could i take this further? I would like to see what colour background would work with the chosen colours and monotone hand-drawn element. Watch this space.

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This design was created with the remnants of a previous design idea, but me being me decided to incorporate the knowledge gained from researching COLOUR THEORY @ THE BAUHAUS, specifically looking at Johannes Itten, Wassily Kandinsky, Paul Klee and Josef Albers. Could an element of my design be utilised in both geometric and organic way? It is reminiscent of a design by GP & J BAKER…..’BARCELONA’ in Indigo.

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I adore how each floral interpretation has been framed to create an almost gallery like quality of fabric. Motifs both separate and fuse together all the design ideas.

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Arranging my Daffodil observational drawing into a mirror repeat. Yes I know that there is no colour in the flower, but I was actually toying with the idea to utilise the colour as a background. Could I toy around with mixing a range of yellows to create depth? Could I utilise coloured green stencil cutouts to create a motif around the daffodils too?

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I chose to create this leaf motif on a separate page to see if I actually liked the design, but as it turns out I do!!!! I need to cut out more of this colour/pattern/design, but am looking forward to exploring how to create a repeat in Photoshop too. I have thoroughly enjoyed this avenue of exploration and now feel far more confident of what to include within my final collection.